Lithuania, North Macedonia and Poland

Lithuania – Monika Liu: Sentimentai

With a pair of excellent shoulders and the best bowl haircut in the whole competition, Monika is probably the most elegant performer in Turin and deserves points just for that. The song however is a modern version of the ‘tuba-piano accordion-drum’ axis of evil. Probably more suitable for a beer festival somewhere in the Baltics.

Review by Mariella Herberstein

North Macedonia – Andrea: Circles

What an excellent start: gritty, edgy with a smokey deep voice expressing what we are all thinking – let’s have a conversation and fix this situation. Sadly, the chorus just lacks the emotional (and musical) explosion we were hoping for, leaving Andrea behind in the semis.

Review by Mariella Herberstein

Poland – Ochman: River

Ochman’s excellent voice paired with the solo piano helps us forget that the lyrics were written by a heartbroken 15 year old, aspiring to become a poet. Still, one of the better entries we have had from Poland over the years (remember the milk maids?). I am sure Chris Isaak also doesn’t mind the plagiarism either Definitely the finals.

Review by Mariella Herberstein

Switzerland and North Macedonia

Switzerland – Tout l’Univers by Gjon’s Tears

Gjon isn’t the only one crying after this thoroughly mediocre and appropriately car-crash-themed ballad. I am too, but they’re tears of boredom. That’s a thing now, all thanks to this song. 2/10 for the pretty landscape I’d like to visit when he gets up off the road and stops crying.

Review by Willow Norton

North Macedonia – Here I Stand by Vasil

Between the intensely uncomfortable eye contact and the Bond Villain aesthetic, I’m wondering whether Vasil wants to eat me or have me join his cult. Possibly both. Either way, his vibe was so distracting I barely noticed the song, which was boring and thoroughly forgettable. 0/10 Please never look at me like that again.

Review by Willow Norton

Georgia & North Macedonia

Georgia

Keep on Going by Oto Nemsadze

With a tip of the hat to the Leningrad Cowboys (only much, much less entertaining), Oto delivers the most guileless and earnest Eurovision entry this year – even his man bun lacks irony. Despite Oto’s commitment and devotion, the song is dreadful.

Review by Mariella Herberstein

North Macedonia

Proud by Tamara Todevska

Tamara’s power ballad in the style of Shirley Bassey will surely please audiences and judges alike. A massive voice, a key change, plenty of wind machining and a cello. What could go wrong? Extra bonus – should the next James Bond be a women, look no further for the title song!

Review by Mariella Herberstein