Georgia, Greece, Lativa

Georgia: Echo by Iru

Georgia’s entry could be best described as an acoustic wall of drums, ethnic pipes and high pitch wailing that persist relentlessly for the full three minutes, coupled with possibly the most incomprehensible lyrics of the competition (‘life is love – thing is known – like in dream’). The flowing gowns could do well with heavy wind machines on stage though! Worst case, it makes it into the finales.

Review by Mariella Herberstein

Greece: What They Say by Victor Vernicos

Victor is the youngest entry from Greece at Eurovision ever! He wrote this song when he was 14 and that is exactly what it is – messy emotions, drama, wooden lyrics, homogenous melody and somewhat devoid of rhythm. Despite a great voice and possibly the most excellent pairing of school uniform shorts with high lace up Doc Martins, what I would say is: no more than the semis.

Review by Mariella Herberstein

Lativa: Aijā by Sudden Lights

Sudden Lights are a proper indi band performing a complex, delicate, lyrically sophisticated song that playfully pitches the vocals against an instrument heavy background. No key-change, little chance of wind machines, no crescendo, limited scope for on stage shenanigans and no catchy chorus for the in-house audience to sing along to. You know what that means…. exit in the semis.

Review by Mariella Herberstein

Serbia, Finland and Latvia

Serbia – Konstrakta: In Corpore Sano

Look, I’m grateful you’re encouraging handwashing in 2022. But also you’re spreading some medical misinformation, and by that I can’t abide. For one, deep under-eye circles say nothing about the status of your liver, unless you’ve been up all night drinking. Two, those spots around your lips say nothing about the attractiveness of your spleen – it’s probably just herpes, and that’s ok. Three, Meghan Markle’s hair secrets are simply beyond our feeble medical understanding. And four, the autonomic nervous system is also the reason why you’re sweating as you eye the vastly superior competition. Serbia, let me clarify one last piece of confusion for you: Fomites are surfaces that can spread infection between people by contact, and hand-washing will help you here. FOMO is what you’ll experience watching the Finals you didn’t make, and no amount of hand-washing or hand-wringing can save you now.

Score: 6/10 for scrub technique, 3/10 for the music 

Review by Scott Fabricant

Finland – The Rasmus: Jezebel

Glam rock is back and ticking all the right boxes: heavy mascara, screeching guitars, biblical references, thundering percussion, a chorus snatched from Alice Cooper’s Poison and, best of all, one hell of a key change!

What’s not to love??? Douze points!!

Review by Mariella Herberstein

Lativa – Citi Zēni: Eat Your Salad

Being green is hot, cool and sexy!!! Set against a big-band sound, the non-sensical lyrics (some of which so shocking, they were censured…) and the controlled chaos of this high energy performance is most enjoyable. Joke entries can sometimes go far in Eurovision (Ukraine Verka Serduchka made it to second place in 2007), but I am not sure Latvia is in the same league, although I like the message!!!

Review by Mariella Herberstein

Latvia & The United Kingdom

Lativa

That Night by Carousel

I’m sure that by now, the whole world knows of my love for indie pop bands- but Carousel from Latvia just moved me so much that I managed to cut my finger on my laptop somehow, and now I’m bleeding all over my keyboard- WHAT A VOICE that lead singer has! Beautiful and understated. And what a pleasure to see Kenny G put down the saxophone, and pick up a guitar! I’m not sure if this song has the gusto to place in this year’s Eurovision, mostly due to the lack of an all important key change, but I damn well will be checking Youtube to see if Carousel has any other melodic bangers to listen to whilst I’m marking 1st year scientific reports.

Review by Georgina Binns

The United Kingdom

Bigger than us by Michael Rice

At first glimpse Michael Rice looks like his mum was a bit too involved in his wardrobe, and his hand waving is slightly distracting, but he nails all the chords nicely, and his hand tattoos slightly poke out of his jacket sleeve giving him a bit of a ‘secret chav’ air. Then he BLOWS the crowd away with an epic chord change, and I tell you what, Michael Rice deserves to not only place in this years finals, but I also vote for him to sing at the next Olympics! A powerhouse voice like his deserves more airtime and I’m not just saying that because I have a dual-citizenship with the mother country. Seriously though, can we get someone in to fix the blonde streaks/90s boyband undercut hair-do he has? It does absolutely nothing for his ears, which are definitely bigger than us…

Review by Georgina Binns

Italy, Latvia, Spain and the UK

ItalyErmal Meta e Fabrizio Moro: Non Mi Avete Fatto Niente

One might easily conclude that Italy’s entry is a happy, toe tapping ditty, probably about summer love or gelato or both. But the upbeat tune is in fact a grim commentary on war, terrorism and displacement. The main message is well illustrated in the video, let’s see what Ermal and Fabrizio dish up on stage. Will political commentaries go anywhere at Eurovision in the 21st century? Probably not…sorry Italy!

Review by Mariella Herberstein

LatviaLaura Rizzotto: Funny Girl

The title and bio pic is deceptive – no sign of Barbara Streisand anywhere in Laura’s performance. There is some staccato singing, a modern version of voguing and a combination of jazz trumpet and cello, leaving me utterly confused. Will Europe be as confused and erroneously allocate douze points?

Review by Mariella Herberstein

SpainAmaia y Alfred: Tu Canción

Look, Spain has sent much, much worse to Eurovision and I am grateful for  young and inoffensive Amaia and Alfred. Still, this sickly sweet, and slightly nasal number will send you to sleep at around 0’21”. While effective, this is somewhat elaborate for a sedative.

Review by Mariella Herberstein

United KingdomSuRie: Storm

 

The UK has cloned Annie Lennox for Eurovision. Obviously, the real Annie declined politely, having seen the humiliation experienced by UK Eurovision entries (cue Engelbert Humperdinck and  Bonnie Tyler). And it almost worked: short blond hair (tick), long, angular face (tick), string riff from Walking on Broken Glass (tick). Yet, CRISPR was unsuccessful in removing the highly annoying For eh-he-he-he-he-ver  chorus. More humiliation awaits!

Review by Mariella Herberstein

France, Moldova, Spain and Latvia

FranceRequiem by Alma

This years’ French entry is surely scandalous in France – its clear there has been far too much focus on this year’s election and they have sorely neglected their responsibilities as ambassadors of Europe. The song frankly suffers from confused cultural identity. Of all the nations, this is somewhat shocking as the French nation are so proud of their culture and yet this song has not a sliver of romance nor the welcomed gypsy chaos of a raging accordion in fact this song is a mile-long baguette from any beret. To be honest if I had not known this a French number before listening to it, I would have mistaken it as poor verson of a Gloria Estefan pop number. And to make things even more confusing Alma throws in three English words in the chorus! When asked about that Alma replied: “We decided to add English to the original version in order to reach a larger audience, I hope that if people can understand a part of the song they are more likely to like it!” Since when does France care about the rest of the world!! Don’t get me wrong Alma is very kind on the eye but I found my thoughts continually drifting off as the song is pretty dull and seemingly very long for Eurovision song. I do hope though Alma brings her shimmering jeans and they manage to have tango dancers dancing along the walls that would certainly increase the interest.

 Verdict = I’ve already forgotten the song…

Review by Matt Bulbert

 

MoldovaHey Mamma by Sunstroke Project

What do you get when you put youtube sensations ‘Epic sax guy’ and ‘Epic violin guy’ in the same room as a deadringer for Justin Timberlake? You end up with the band Sunstroke project with a pretty catchy little ditty about erotic baking. Well that’s what I gleamed from the film clip – the egg breaking sequence is priceless. It’s a real toe tapper and it has some classic elements such as Alexander Rybak inspired violin but with neon edges and a night wearing sunglasses sax player that Corey hart would have died for. My only real disappointment is that there is not an epic sax/violin solo off in the middle – it is surely a missed opportunity given the epicness of the band members. When asked what is one of the most interesting aspects of their entry they replied ‘Our performance looks like a small wedding on stage’. Small weddings are genuinely associated with Vegas and apparently, what happens in Vegas is meant to stay in Vegas so not sure who let them out nonetheless their offspring are bound to be epic.

 Verdict = Epic upon layers of Epicness

Review by Matt Bulbert

SpainDo it for your lover by Manuel Navarro

I will put it out there right now. This is just not Eurovision. This Jack Johnson inspired number is too mainstream for this competition. I just spent a field trip in North Queensland where every second song on the radio was Ed Sheeran and between those songs were announcers mentioning Ed Sheeran. I feel this song is commercial radios attempt to further promote Ed Sheeran. Oh by the way this song is not sung by Ed Sheeran but Manuel Navarro whose key inspiration is apparently – yes you guessed it – Ed Sheeran. His other apparent inspiration is Bob Dylan this is not is not so evident. The chorus is far too repetitive and frankly is pretty frustrating. He just states Do it for your lover over and over without actually tell us what IT is? Unless it turns out Manuel Navarro is actually Ed Sheeran I cannot see this one getting too far up the charts.

 Verdict = Ed Sheeran will sell another million records on his way to total world domination…oh and this song will tank badly at the Eurovision song contest

Review by Matt Bulbert

 

LativaLine by Triana Park

Well Triana Park have truly brought it to Eurovision this year for Lativa. This Kate Bush-Bjork-esque inspired pop number is sophisticated and musically intriguing for an electronica-drum-guitar combination. It’s not a toe-tapper that will bring the house down but it is surprisingly intellectually engaging. And as a result, they have not a hope in hell of winning Eurovision. Although according to their profile they love banana pancakes with Nutella and we all know I loathe bananas and consider them to be the devil’s fruit which means their direct connection to the devil potentially gives them some hope even in hell.

 Verdict = Quirky, intriguing and cool so not a chance of winning

Review by Matt Bulbert

France, Norway and Latvia

France
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J’ai cherché by Amir

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J’ai cherché, Amir – an ambassador for France and an advocate for dental hygiene

We have Bono, Madonna, Pink and now the newest member to the one named artist – Amir.  Amir recalls watching Eurovision with his family as a kid betting on the outcome. He hopes his family will back him this year. To be honest they will earn more money betting on the runners up than backing this number. It surely will attract the shortest of odds to win this year’s Eurovision competition.

The French tend to treat this competition as something they are obliged to do being part of the European Union and all. Usually the French just do their thing and do not care about the opinions of those pesky lesser European nations. But not this year! I feel a wave of change and a sense they are finally hungry for victory and will do anything to achieve it. My evidence to support this claim:

  1. The chorus is in english – WHAT! I hear you exclaim in complete disbelief? Its true! And it is not forced, it is not even weird but in fact it’s close to brilliance!
  2. The tune sticks in your head like a limpet sticks to a rock in the intertidal zone – it has one of those annoyingly catchy clapping sequences, a nice ‘woo-oo-oo’ (I like nothing more than a good bit of onomatopoeia in a song) and, a beat that will propel people from their seats to dance.
  3. The only people that will not get up and dance to this number will be those transfixed by how damn good looking this guy is. It hurts even my eyes. And he is not even vacuous! Damn it! He is a self-proclaimed mega-geek who loves all the latest new gadgets and by all accounts comes from a wholesome family albeit a family of gamblers.
  4. One of the secrets to his manly beauty is his ridiculously good teeth. Not surprising considering he used to be a dental surgeon. Apparently he just woke up one day and decided he had enough of filling everyone else’s cavities and it was time to fill his own deep cavity with musical love; and a few croissants I suspect.
  5. The song is a motivational anthem. It is about staying true to your dreams. Based on his own rags to riches story to some extent – a kid that dreamed of being on the big stage to a dental surgeon to the Voice finalist to the winner of Eurovision – Aesop could not have written a more epic saga.
  6. His message of gender equality. His video shows two kids from the ghetto on a road to success a girl who makes it to the Olympics as a kickboxer and boy that becomes a professional ballet dancer – I secretly hope they are his back-up dancers.

Verdict: I am going to make a big call – this will win Eurovision this year. I do not have to listen to anything else – over and out!

Review by Matt Bulbert

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Norway
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Icebreaker by Agnete

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Icebreakers. They’re the latest hot (as it were) target for national science program funding. The UK and Australia are both in the process of commissioning a new icebreaker for a cool half billion each, then making the absurd decision to let the general public name it in an effort to capture hearts and minds.

Will Norway’s new Icebreaker pull it off? Or just get stuck, prompting a month long, multi-national rescue operation during which everybody on board is left telling the same jokes over and over because there hasn’t been anything new to talk about in weeks? And what sort of stroby magic will the lighting designer do with that half-time chorus? Time will tell.

Review by Ingrid Errington

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Apparently two entirely separate Norwegian songs got together and entered Eurovision this year. Neither of them were particularly spectacular to begin with and joining forces certainly didn’t improve things. Agnete opts for wearing snowflakes rather than having them flying around her head like other entrants (Austria). It may be less distracting for her but it’s a bit on the dull side for the audience. Someone is thrashing around behind her in a glass box to give us something else to look at though. This is probably meant to be a block of ice. Hmmm….

Review by Nansi Richards

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Latvia
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Heartbeat by Justs

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If the real Mr Timberlake shows up on the night (and if Latvia gets through to the final), this abbreviated version will really struggle to shine. Justs builds himself up to some pretty rock-vocals but it makes for a slightly odd mash-up with the trance-beat of this song. He really means it though. The lighting crew was clearly out of ideas, hit the auto-pilot button and took a well-earned break. Heartbeat? So much potential imagery to work with here. Wasted!

Review by Nansi Richards