Czech Republic
My Turn, by Martina Bárta
Following a five year apathy-driven absence from the competition, the Czech Republic made their first ever finals appearance in 2016. This landed them a respectable (loosely speaking) 25th place, and the hopes of surpassing this effort now rest with the jazz sensibilities of Martina Bárta. Unfortunately this quasi-naked, touchy-feely, hair-centric piano ballad offers few surprises. The chorus does build to a reasonable hook, and it might be enough to squeeze through to a second final, though I don’t foresee a strong finish for the Czech Republic this year.
Review by Tom White
Georgia
Keep the Faith, by Tamara Gachechiladze
It’s difficult to get excited about an artist whose brief opens with the striking claim that she “…has taken part in a number of national and international festivals and creative events”. This lack of enthusiasm is not misplaced, and carries right through this year’s copyright-infringeriffic offering from Georgia. The central hook of ‘Keep the Faith’, along with much of the instrumentation, is lifted directly from Adele’s theme for ‘Skyfall’. That song did win an academy award, and it overlaid one of the best Bond films in years, so full points to Tamara for fine taste and sheer audacity if nothing else.
Review by Tom White