Hungary, Israel and Malta

HungaryAWS: Viszlát Nyár

AWS will be shouting at us in Hungarian to the background of heavy metal music. The performance contains all the endearing metal characteristics:  brutal guitar riffs, relentless drumming and mid-pitch screaming. Whist true to the genre, AWS manages to squeeze in a Eurovision-style keychange – impressive. I think the bio description says it all: “The band wrote their Eurovision entry, Viszlát Nyár, themselves”

Review by Mariella Herberstein

IsraelNetta: TOY

‘Pam pam pa hoo, Turram pam pa hoo’ – no truer words have been sung at Eurovision. Admittedly, the lyrics are senseless (even Wonder Women can’t rescue them), but the song is catchy, poppy,  quirky and could be, dare I say it,  a winner! Not since Dana International (in 1998) was Israel the favourite for Eurovision, so I have high hopes for Netta – douze points from me!

Review by Mariella Herberstein

Malta Christabelle: Taboo

Christabelle’s song is set in a dystopian future, where ruthless tyrants stage brutal fights and go ha-ha-ha-ha-ha-ha (in that tyrannical fashion). Despite being savagely oppressed, Christabelle keeps her soul intact and travels to Lisbon for Eurovision. Sadly she does not make it through the Semi-finals, which will probably not bode well for her upon returning to Malta. End of story.

Review by Mariella Herberstein

 

Ukraine and Sweden

UkraineMelovin: Under the Ladder

The live-rehearsal version of Melovin’s “Under the Ladder” is the story of man’s desperate search for a key, which doesn’t bode well for this X-Factor Ukraine alumnus come crunch time. The moody (and shaky) verse builds to a punchy chorus that admittedly has some pick-up and an appropriate number of “woah oh oh uh”s, but it’s too little too late for my money.

Review by Tom White

SwedenBenjamin Ingrosso: Dance You Off

The pressures of Eurovision are well known to select for mimetic extremes, yet the fidelity of Benjamin Ingrosso still took me by surprise. In a direct channelling of Justin Bieber & The Weekend, with a dash of Daft Punk underneath, the 20 year old Swedish national delivers the electro-pop banger “Dance You Off” (a threat? a promise?). The vocal style isn’t for everyone, such as me, but the rolling funk-bass is worth the price of admission, and there’s no denying the piece is on trend. I predict another strong finish for Sweden this year, but not enough to really stand out from the crowd.

Review by Tom White

FYR Macedonia and Portugal

FYR Macedonia

Well where should I start? The video amazed me: well studied dance moves, a guitarist who definitly had some kind of model career (how else would he manage to be that natural in front of a camera) and a beautiful pink latex dress worn by the lead singer lying on a yellow bed showing us impressivly why one should never ever use those coulors for a powerpoint presentation.

The song caught me with his energetic reggae beat right from the beginning. The lyrics tell the story of a deep, emotional relationship with her soulmate…obviously in other, slightly sexualised words. The end of the song (we’ll be lost and we’ll be..) leaves the audience full of questions how this sentence and the love story might end and keeps you thinking about the song for much longer.

It has all it needs, now lets see how far they make it.

Review by Macelo Christian

Portugal

The position of the host is always a difficult one. The expectations are high and everybody keeps an eye on you… Well, at least if you are not song writer and composer Isaura, who wrote this song. If you saw the video you might have noticed the person in the background that is literally hiding by turning here back to the audience and has like 20 seconds to sing, before she turns her back again. Even in the picture she is in the background, like it is part of the contract, that she has to appear on the profile photo, so at least keep her blurry.

I mean its understandable if you’re on stage with superstar Claudia Pascoal, who has participated (!) at two national music contest and plays guitar since she turned 15.

Well despite these equality issues we’ll see if a very emotional song combined with advanced gardening skills will be enough for Portugal in their home game.

Review Marcelo Christian

Netherlands, Serbia and Romania

NetherlandsWaylon: Outlaw In ‘Em

Waylon seem to be a proper band. Solid vocals, tight playing, this puts them at an immediate disadvantage at Eurovision. Their brand of Dutch-Americana might not be too bad with a couple of pints of NEIPA down at your local on Friday night. Eurovision, however, demands more of performers than competent musicianship (this is hardly required!). No soaring key changes and all the wind machine will do is blow away the atmospheric stage smoke. Sorry lowlanders, another year in the second division for you, I’m off for a pint.

Review by Matt Bruce

SerbiaSanja Ilić & Balkanika: Nova Deca

Bald guy with a long beard, women in matching outfits with an appropriate amount of hair for wind machine awesomeness, a drummer with lots of chains and Einstein playing (smoking?) some sortof pipe. Looks promising….…. Nope, boring song.

Review by Matt Bruce

RomaniaThe Humans: Goodbye

Adi, Alin, Alex, Alex, Corina and Cristina (must be confusing at band practice) could be the Romanian Brady Bunch, but they aren’t, they’re The Humans (not sure what that implies about the rest of us). “Goodbye” is a pretty standard Eurovision power ballad, likely to get lost in a lukewarm porridge of mediocrity. There is however one hope, that the creepy horror movie mask people from the video make it onto the stage. At least then we can imagine that it might turn into some sort of horror movie version of the Brady Bunch (Un Foarte Brady Halloween?). Otherwise this one isn’t going anywhere near the final.

Review by Matt Bruce

Czech Republic and Belgium

Czech RepublicMikolas Josef: Lie To Me

Welcome to the 21st Century, Czech Republic! So good to finally have you along! Mikolas is a renaissance man, he had good marks at school and could have studied at a prestigious UK college, he worked as an international model, and now, dressed as a librarian, is fighting for the Eurovision crown!

This peppy number is sure to impress, some cool jazz trumpet, an obscure reference to Marilyn Monroe and suspenders holding up Mikolas’s pants. The dancing is outsourced to a break dancing lad seemingly trapped in a cube. The lyrics were ravaged by google translate: But steady plenty these greedies wanna eat my spaghetti

All in all, I quite like this….definitely entry into the finales!

Review by Mariella Herberstein

 

BelgiumSennek: A Matter Of Time

 Belgium’s Sennek is a 100 percent the love child of Portishead and Tina Turner (Goldeneye)! She even participated in 007 In Concert.

I am a sucker for the musical pizzazz dished up by Bond – it is sassy and schmalzy all at the same time. Bond swept Conchita Wurst to certain Eurovision glory….and of course her marvellous beige frock was a winner in itself!

Europe might be stirred by Sennek, but not shaken!

 Review by Mariella Herberstein

Slovenia and Moldova

SloveniaLea Sirk: Hvala, ne!

Hi, my name is Scott. I’m a former member of the behavioural ecology lab before my career took a left turn and I went to medical school. Now, as a first-year medical student, I’m going to try and apply my brand new medical knowledge to diagnosing Eurovision contestants! Ok, let’s start with Slovenia.

Upon first observation of the patient, I notice she has a very unusual style of staccato movements with rigidity and tremor. Parkinson’s perhaps, but she lacks the hallmark slow-movement bradykinesia. Or maybe she’s just trying to dance with a bad case of ataxia.

Actually her movements seem very frenetic… hmm, perhaps a psych consult may be needed? The ever-shifting patterns of the floor beneath her mirror the typical hallucination patterns of an LSD trip. Later, she starts rap-battling with what appear to be homunculi representing facets of her personality. Either she’s tripping balls or I need to read more Freud and Jung!

That said, it’s always protocol to rule out organic brain disease before diagnosing psych conditions. The flashing lights are a classic epilepsy trigger, but maybe her flapping arms are really a case of asterixis, a common sign of hepatic encephalopathy wherein liver damage harms the brain. I can’t be sure about her, but this song is driving at least one of us to drink.

One thing that stands out is the pseudobulbar vaguely-lyrical noises emanating from her vocal cords. Laryngeal edema perhaps, or polyps? Hmm, I may need to draw some blood tests.

But wait! Something I overlooked! Her hair has a strange miscoloured streak going through it. That’s called poliosis. Usually it’s just a benign quirk of hair, but maybe, just maybe… I’ve got it! She has Vogt–Koyanagi–Harada Disease. It all makes sense! The disease also causes nerve palsies, which explains her dancing, hearing loss and tinnitus, which explains her singing, and eye damage, which explains her fashion choices. Sadly, the prognosis isn’t very good. Luckily, she’s already wearing a body bag.

Review by Scott Fabricant

 

MoldovaDoReDoS: My Lucky Day

Hello again, Scott here. So I’ve been told that I’m not allowed to diagnose people at a distance, some ethics thing called the Goldwater Rule (which is actually why no one has yet given an ICD-10 code to President Trump), so I guess I’m going to have to brush off my behavioural ecology skills and return to my roots. Ok let’s go!

Here we see the rare and endangered Moldovan Cool Ranch Doritos… sorry, that’s DoReDos, in their natural habitat of the coastal cliffs. How these delicate diurnal creatures will adapt to being in the artificial environment of the Eurovision stage, with a photoperiod of 12 hours of dark and 12 hours of strobe lights and disco balls remains to be seen.

Given that it is in fact the female who is large and colorful, I deduce that DoReDos are likely some type of arthropod. It is of note that the female is red and yellow, so I assume she is poisonous. Her large frilled hat she deploys seems very effective at startling predators. She also has slices of citrus fruit in her hair; are these food rewards to potential mates, or is she using the citric acid to defend her eggs?

Multiple male suitors sing and chirp to get her attention. This is what we refer to as lekking behaviour. The males compete with each other, trying to best woo the female with rhythmic droning vocalizations. While its known that talk is cheap, we assume this singing behaviour is costly and therefore an honest signal because… reasons?

However, further natural history observations reveal that the males appear to be cooperative breeders. They’re helping each other into the finals! The only other known species that engages in cooperative lekking is the Long-Tailed Manakin. Are Manakins and Doritos sister taxa? Or is this a case of convergent evolution? As always, more research is needed (but not by me, I have to get back to studying).

Review by Scott Fabricant

Switzerland and San Marino

SwitzerlandZiBBZ:Stones

It is with great trepidation that I dip my toe into the murky – yet disturbingly placid – waters of the Eurovision Song Contest. Eurovision is a major cultural phenomenon, and yet, like a dream forgotten after waking, or the scent of a viola, your reviewer seems unable to focus on it. It has caused restless hours tossing and turning in bed, unable to sleep; interminable, rambling sentences; and even self references in the 3rd person, yet I’m still unable to listen to a song the whole way through without losing concentration and moving on to something else (perhaps they employ Eurovision contestants to write legal contracts?) My one moment of hope was dashed when I discovered that YouTube had inserted a link to Black and Blue by the Aussie blues band “Chain” into the list of Eurovision videos (now there’s a refreshing lack of over-production and wind machines).

But I digress. Despite watching the rehearsal video 3 times (!), I still can’t remember anything about the song, although I can confirm that there was a midriff and some hips involved. I suspect they are attempting to channel the spirit of ABBA, which was the first act (of only 3 ever) to become a commercial success after winning Eurovision. Take “ABBA”, change “A” to “Z”, throw in an arbitrary “i” to symbolise the iPhone generation, and you’ve got ZiBBZ. Will ZiBBZ make it to the finals? I don’t know.

Review: Jim McClean

San MarinoJessika featuring Jenifer Brening

 

Micronation San Marino’s offering this year is notable for two reasons:

– Jessika and Jenifer bring the total number of San Mariners known to be able to at least coarsely bang out a tune to a grand total of approximately four people. I can only assume Valentina Monetta has recently undergone major surgery to miss her annual engagement, and wish her all the best in her recovery.
– This certainly isn’t the first time a singer will be upstaged by their backup dancers, but those dancers being tiny robots is new. Congrats to Jess, Jen and their plastic entourage.
On paper, the performance has a lot of the requisite components: a strong gimmick, a white jumpsuit (drink!), a riff that’s already proven to be a winner (Måns Zelmerlöw, at bit?), a surprise hip hop interlude performed by someone dressed like they were originally intended to be a 90s grunge interlude, an adorable nose scrunch, and a key change that’s only outdone in subtlety by her lipstick.
Will the sum be greater than the parts, and deliver more tourists to San Marino than it has citizens? Unlikely. But together it approaches the Platonic ideal of a Eurovision entry.
Review by Ingrid Errington

Bulgaria & Denmark

BulgariaEquinox: Bones

What is life? Equinox asks the important questions in this serious yet sensual song.

As a Eurovision rookie, I feel prematurely emotionally attached to this group, who will perform together for the first time during the semi-finals.

I hope they bring the rainbow prism machine on stage, because it adds a whole new mysterious dimension to the song; word on the street is Bulgaria have been a favourite before the group were even formed- doesn’t get much more mysterious than that!

My only concern for this group is that they follow each other, ‘deep into the unknown’ and forget to open their eyes and fall off the stage; regardless, I predict they’ll love beyond bones straight into the finals.

Review: Georgina Binns

 

DenmarkRasmussen: Higher Ground

I’m going to be honest, I wanted to review Rasmussen because of his beard.

Fortunately, his beard didn’t let me down. The choreography on the other hand, was a bit of a disappointment. Rasmussen is pretty decent at singing and stomping and looking like a Viking though, and thank goodness for the wind machine. I also really like how the back-up dancers don’t try and show him up.

Higher Ground is apparently based on a Viking who refused to fight. I’m confused as to how this Viking even got the job of leading a crew of warriors into battle when he was a lover, not a fighter?

There is a great pitch change towards to the end, which does kind of make you feel like loving instead of fighting.

And his beard really is great.

I give this act 3 beards out of 5 beards.

Review: Georgina Binns

Austria, Belarus & Cyprus

AustriaCesár Sampson: Nobody but you

According to his bio, Cesár is ‘not unknown’ in Austria.  Oh how I do struggle with double negatives! Setting aside his alleged fame, Cesár dishes up a catchy soul number that is probably good enough to get him through the semis, but imminently forgettable for any decent points in the finales.

Review: Mariella Herberstein

BelarusAlekseev: Forever

Alekseev is Belarus’ Petshop Boy, but he is having much less fun than the original duo. Is it the endless rain falling in this song or the beige knitwear? We will never know. However, Eurovision has had its share of sad young men with last year’s winner Salvador and so I fear Alekseev will go no further than the semis.

Review: Mariella Herberstein

CyprusEleni Foureira: Fuego

Eleni had a summer hit in 2010 and all it takes for a Eurovision winner:  catchy tune – check; legs (two) – check; marvellous hair flowing in wind created by wind machines – check. I think this will go far at Eurovision or at least Eleni will have another summer hit, on rotation in Club Med discotheques all along the Black Sea.

Review: Mariella Herberstein

 

Albania, Australia & Iceland

AlbaniaEugent Bushpepa:  Mall

I have so many questions about Albania’s entry this year, like, Is Eugent really a true gentleman?  – Do Albanians really love shopping that much? – And Is Eugent really Bon Jovi’s fraternal twin? (I’m expecting a Daily Mail exclusive any day now). Sure, he looks nothing like the rock god but don your head phones, close your eyes and press play and I bet you’d imagine Jon Bon Jovi singing an Albanian ballad. And finally, I cannot help but wonder, as I read the lyrics, – Did they actually, miss spell the name?*.

Having listened to this song a few times, I found myself daydreaming about starting an Eurovision spin-off with only hair metal bands called VisionaryHair. I mean could you imagine Whitesnakes flowing perm being caressed by a wind machine or twisted sisters desperate plea to rock as they threw school desks into the crowd and, frankly who has not been surprised to find Europe’s Final Countdown was not actually a Eurovision song. So who is with me?!! Huh? Whats that? Oh….what about Eugents song I hear you say? Well apparently music is his religion but unfortunately, I would be hard pressed to imagine he will reach Eurovision cult status with this little ditty.

Prediction:

If the video is anything to go by I anticipate a vain attempt at re-invigorating the lost art of hand dancing. And as much as I feel it deserves to see the final I suspect it will be swept under Motley Cure’s excessively voluminous perms – never to be seen again.

*i.e. Maul just in case that joke was too obscure!

Review by Matt Bulbert

AustraliaJessica Mauboy: We Got Love

I say finally! Australia has entered a song worthy of Eurovision – a song that finally catches the essence of what Eurovision is all about. I can see wind machines, anthemic chanting of the chorus and even an eclectic musical break that surely will be filled with a crazy dance routine. So Australia get ready as I think this is it.

 Ok so this year Australia has pulled out the big guns and I cannot help but think this was the main game all along. In 2014 Jessica became the first non-European solo artist to represent Australia as a guest performer at the Eurovision Song Contest as the interval act. Now I’m sure at this moment there are some Eurovision historians, some of which co-write reviews on this blog, that will be screaming at their computers – but what about the Australian icon Olivia Newton John?? and the only person to have won Eurovision twice Johnny Logan?? My response to you is that you obviously did not read the claim as none of those singers sung in the interval! But I digress, and instead I hereby provide a suggestion that is sure to send this blog viral – Australia cunningly sewed the seed 4 years ago, so Europe have had time to full in love with our Jessica.

To be honest if Europe can overlook Australia not being part of Europe then I feel this song has a serious chance of taking out Eurovision this year. The song has a wonderful shmaltzy message that is catchy and repeated just enough to stick to your eardrums like a burr. And let’s face it, Jessica’s smile and bubbly personality are pretty hard to ignore the best of times but doused with lashings of melted gouda cheese, which this song provides in abounds, makes this entry irresistible.

Prediction:

No matter where Jessica comes she will be a winner! It will take out the heat and be pushing the podium provided Jessica can find some dance moves. I would love to see some Timorese-Indigenous stomp for instance! Bring the trophy home for Mariella – Jess!!

Review: Matt Bulbert

IcelandAri Ólafsson:  Our Choice

Iceland is a spectacular country where you can stand before massive waterfalls, be doused by towering geysers, see the might of the biggest mammals on earth the Blue Whale, and walk between the tectonic plates of Asia and Europe. This is all before witnessing the gods playing knuckles with blue icebergs and, mingling among the millions of waddling puffins prior to embalming your insides with the delight of lobster soup. So given this description you cannot help but think Ari Ólafsson cannot help but be impressive…..(Spoiler alert: if you want to hold onto this belief please do not read any further….)

It’s a big year for Iceland, they have made the Soccer World Cup for the first time, coming off the back of beating England in the Eurovision of football last year. So they might be forgiven for not really caring so much about Eurovision this year. However, for a country that has a population the size of Newcastle NSW, Iceland typically kicks the proverbial music charts. I mean they have provided the world with the experimental genius of Bjork, the ethereal post rock of Sigur Rós, the royal family of pop rock Of Monsters and Men, and not to mention the electronica masterful expression of teenage boredom by FM Belfast – yes that song called ‘Underwear’:

“…..we are running down the street in our underwear, to the hill that is over there, because nothing ever happens here…” (Warning: this tune is insidiously catchy).

Given Iceland’s pedigree, you can be forgiven for thinking Iceland should be capable of rustling up a real challenger. So, it comes a surprise to me they would roll out Ari, whose choice of song, and clean-cut demeanour, are potentially a better fit for PlaySchool rather than a serious music competition such as Eurovision. I mean, it seems his only qualifications for this gig is apparently having played “a part in Oliver, in a musical directed by Selma Björnsdóttir who came second in the 1999 Eurovision Song Contest with the song All Out Of Luck”. So let me emphasise two points here – first of all he did not even play Oliver, he could have played the bowl for all we know and secondly, they have intimated that he was destined for Eurovision fame because he was directed by a contestant from nearly 20 years ago – which by the way was before this kid was even born!

Prediction: I anticipate lots of hand holding and swaying from the audience and despite my apparent derision of Iceland’s choice I think Ari will make the finals based solely on his fine teeth, good hair and fine dress sense – he might even be worth a bet each way as roughie. Oh and I would not rule out the possibility of the song being drowned out by Viking Thunderclaps – as the Icelandic fans are likely to embrace the opportunity to warm up for – dare I say it – the more important World Event.

Review: Matt Bulbert