Day: May 16, 2019

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Armenia & Albania

Armenia

Walking out by Srbuk

If Billie Eilish were born in Armenia, she would probably be Srbuk in a few years. Srbuk’s voice promises a determined woman who does not take rubbish from anyone. Disturbingly, the lyrics and video quickly reveal that she surrounds herself with morons that push her about – I am sure Billie would not put up with that sort of shite. Watch out for the key change and crescendo, which Srbuk nails. A contender for the finals!

Review by Mariella Herberstein

Albania

Ktheju tokës by Jonida Maliqi

There is no doubt that this song is in the wrong contest. First of all, it’s in Albanian – amazing, isn’t it? Even France is starting to partially sing in English and that’s saying something! And then these sounds, what on earth is this? A wide variety of percussion, offbeats, vocals whose melody and intonations are classic Eastern Europe, not to mention the singer’s deep, warm and penetrating voice… Fortunately, the simplistic structure catches up a little bit: a single verse of three sentences and that’s it, after that we just have to repeat twice the sequence “pre-chorus, chorus, post-chorus” and that was the game! Conclusion: obviously too good to win….

Review by Jean Bienvenu

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Belgium & Moldova

Belgium

Wake up by Eliot

A baby face, a baby voice, and some massive drums. Add a minimalist choreography and you have an idea of what the performance of ‘Wake up’ by the Belgian Eliot brings to the table. The lyrics say “Don’t want your lies, I need truth”, so here it goes: I am not that impressed. We came to expect great things from the country that invented french fries and Belgian beer, and I must say that the quality of this performance is more in line with Brussel sprouts to be fully honest. Belgium hasn’t been the winner in Eurovision since 1986, 14 years before Eliot was born, and I don’t think he is here to change that tradition.

Review by Bruno Buzatto

Moldova

Stay by Anna Odobescu

The performance by Anna Odobescu starts with her playing a white piano inside a large white house, but that only lasts exactly 9 seconds, after which the drama starts building up. She argues with her lover, he drives away in the rain and throws a tantrum over it. The melody is ok, and Anna’s voice is beautiful and powerful, but I can’t say the story told by the lyrics and the performance is original: it’s basically all about couple dramas where nobody knows how the argument started in the first place, but they are still trying to be “togetheeeeeer, foreveeeeeer”. Well, I guess this next level cliche might become trendy as a new ‘vintage’ theme? 

Review by Bruno Buzatto

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Australia, Lithuania & The Netherlands

Australia

Zero Gravity by Kate Miller-Heidke

In reviewing this song, I have to make a declaration that may influence my impartiality – I am a massive fan of Katie Miller Heidke. My fandom though is not for what you might think as It is not driven by her pop music career as such but rather the wonderful enigma that she represents. I would bet that if you challenge a group of people to judge the personality of Katie Miller Heike, from a photo or a general conversation, they would be unanimous in judging her as a diminutive timid female. In turn if you were to guess her appearance from her voice alone you might be forgiven for thinking she was a demonstrative operatic diva.

In reality Katie to me is a tour de force and her diminutive appearance masks an immense inner strength that manifests itself through the power of her voice. Her songs are also an enigma in that she frolics among the garden of octaves like a playful child but the lyrics tackle the complexities of adult life. In zero gravity we have her delightful canary-like trills that would be at home among a garden of blossoms under a bold blue sky. If you listen carefully though the song is about being out of control. Katie suffered a traumatic birth with her son and it was so physically debilitating she lost her voice. Like many women the excessive lack of sleep sent her in a spiral towards postnatal depression. This song then is essentially an ode to those who are stricken by a sense of losing oneself. I actually believe this is the best song Australia has written for Eurovision and no matter what happens I hope this song propels Katie towards international stardom.

Review by Matt Bulbert

Lithuania

Run with the lions by Jurij Veklenko

Doe-eyed countertenor Jurij was voted Lithuania’s favorite son-in-law back in 2017, and his mission now is to win the hearts of Europe’s grandmothers, a powerful lobby group, no doubt.

With a song safe enough for a primary school dance, lyrics generated by a platitude app and handsomely coiffed hair and beard, Jurij will have to beat back invitations to afternoon tea for the rest of the year, but will probably not go far in Eurovision.

Review by Mariella Herberstein

The Netherlands

Arcade by Duncan Laurence

Duncan has a broken heart – fair enough, we have all been there, darl. But now he wants us to get him off this rollercoaster and carry him home. Not sure why he is making this mess our problem. Come on, Duncan!

Also, this is the favorite according to the bookies- place your bets, folks!

Review by Mariella Herberstein

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Poland & Iceland

Poland

Fire of Love (Pali się) by Tulia

I fear that – just like the UK – my Eurovision is fading!  Perhaps I am in need of some Euroglasses, preferably rose tinted.  Or better yet, rainbow coloured, both for the symbolism, and to bring some colour back to the music video by Polish band Tulia.

I was drawn to this entry by the photo – brilliantly colourful, traditional costumes, Rapunzel hair, bucolic setting. I should have been warned by the expressions on their faces! The video is black and white. I strongly suspect it is an extended joke, but if so, the humour entirely escaped me, as did the music. Let’s hope it makes more
sense to Polish speakers.

Fun fact: “polish” is the only word in the English language that is pronounced differently if it is capitalised.

Review by Jim Mclean

Iceland


Hatrið mun sigra by Hatari

If you are sick of the stock standard music and want to shake things up, the Icelandic band Hatari is where you will find yourself. Their music is not something you will find playing through the speakers as you roam a shopping centre. With their fusion of techno, punk and rock, you will not be left unsatisfied. The sandpaper vocals combined with techno vibes opens the flood gates to exploring BDSM in society.

The song “Hate Will Prevail” is a bloodbath of hatred to burn down capitalism. In Iceland, Hatari are known as tricksters who take pranks to the extremes. From pranks stating they were going to split up, all the way to starting an Icelandic music review website to review only their music, they never cease to attract attention. But their most recent stunt to challenge the Israel prime minister to an Icelandic trouser wrestling match has been the most controversial. If Israel’s PM wins the match, he acquires the Westman Islands, but if Hatari win, they get to form a liberal BDSM colony within the borders of Israel. Regardless of the quality of music, it is clear they strive to achieve their one true goal, “we want to uncover and destroy the everyday routine for it is a scam”.

Review by Braxton Jones